
May 31st – June 3rd, 2013

Christopher O'Conner

Pat
Byrne
The core theme of my painting is playing with scale. This is achieved by placing locations, landscapes and scenes in, on or around oversized everyday objects creating juxtapositions that give my work a surreal nature. I tend to arrive at this point through the use of sketches, collages and photography, experimenting with images to find what works well together.
As well as the visual element this recent body of work has an underlying tone taking into account issues and occurrences of the surrounding environments and areas both, natural and through the impact of human activity.
Christopher was born in Dingle in 1974, a once, remote fishing town off the southwest of Ireland. At 15, he was given a box of oil paints and began painting. Soon, books and paintings were piling up as he became absorbed in reading about the lives and works of artists such as Michelangelo, Van Gogh, Cezanne, Matisse and Picasso. At 19, he set out on his travels to see these masterpieces, as well as those of his contemporaries.
Christopher has lived in both Ireland and America, and through the years has continued to steadily work and exhibit.
These days, it is in the quiet of his studio, or wandering through the nearby fields, forests and mountains that Christopher is most likely to be found.
Anastasia Richards studied Fine Art at the Slade School in London. She forged as career as an interior designer running her own company for over 20 years.
She always maintained a passion for painting. Anastasia’s preferred medium is oils, specialising in surrealist and impressionist styles. She retired to Beaufort, Co. Kerry, where she currently resides and teaches classes from her studio.
“Oil painting has been the most exciting of my life, I can’t wait to work every day that I can!”
‘No Diesel’
Lucey’s work centres around dilapidated abandoned petrol stations, focusing on neglected fuel pumps. These landscapes represent a ‘sign of the times’, forecourts left redundant by the development of by-passes. Family-run stations have given way to larger chains. The title of the exhibition stems from the commonly seen makeshift signs outside these rural garage forecourts stating ‘Sorry, No Diesel’ . There is a strong personal undercurrent to the project, as the petrol stations documented are dotted along Lucey’s travel route from her home in Kerry to Limerick City, expressing ‘a certain solitude and sense of abandonment’.
‘I want to highlight the beauty of the thing which, in many ways, has gone unnoticed in these abandoned objects. My interest also lies in the cracked paint and rusted areas of the old petrol pumps which is something that always stands out for me’.
Her painting style utilises palette knives to loosely apply paint to the canvas. Dripping paint contrasts with areas of flatly applied colour to create a variety of surface textures. Colour is integral to these images, with the dark reds and oranges capturing the effect of years of these petrol pumps exposure to harsh weather conditions, resulting in deeply etched rusting. Blues and greens also feature predominantly, capturing the varied landscape along the route.
Rochelle graduated in 2012 with BA Honours in Fine Art Painting from Limerick School of Art and Design. She is an acting committee member for ‘Kfest Music and Arts Festival’, a new festival taking place in Kilorglin, Co Kerry. This will be her second solo exhibition, the first of which, entitled ‘The Establishment’ was a sellout. She was artist in residence from 2009 to 2011 in Scoil Mhuire, Killorglin under the Kerry County Council Artists in Schools Scheme. During her time here she worked on large scale art projects with children of all ages.

Anastasia Richards

Rochelle Lucey
8 OF 10

